The Slim Girl Who Beats the Drum with Fire

The Journey of Ayanbunmi, Africa’s Trailblazing Female Talking Drummer and Cultural Entrepreneur

In an industry where rhythm has long been dominated by male hands, one woman stands out—not just for her technical mastery of the talking drum, but for her fearless innovation, unwavering spirit, and bold entrepreneurship. Her name is Adeuyi Odunayo Susan Oluwabunmi, but across Nigeria and in global cultural circles, she is simply known and revered as AYANBUNMI.

From humble beginnings in the vibrant heartbeat of a church congregation to commanding stages in front of royalty and dignitaries, Ayanbunmi’s 10-year journey has not only redefined what it means to be a female drummer in Africa—it has sparked a cultural movement that inspires thousands.

Ayanbunmi’s story began with a spark—the sound of the drum during worship in her church. It wasn’t just music; it was medicine. A balm to her soul, it lit a fire inside her heart that would never go out.

“Even on days when I wasn’t feeling good, the sound of the drum would lift my spirit and carry me away,” she recalls.

That spark became a mission. With the encouragement of her mother and mentorship from her uncle—himself a drummer and instrument craftsman—she took the first steps into a world few women dared enter. It wasn’t just about learning the talking drum (Gangan). It was about claiming a space, wielding tradition with power, and rewriting the rhythm of culture.

As the CEO of AYANBUNMI INTERNATIONAL ENTERTAINMENT (Reg. No. 7364980), she has built more than a brand—she has birthed a movement. Her company has produced thousands of traditional percussion instruments—from the revered talking drum to Bata, Omele, Gudugudu, Akuba, Samba, Shekere, and more.

Unique to her brand is the Ankara-stitched talking drum, a fusion of fashion and folklore that captures the spirit of African creativity.

“Each drum we make is not just an instrument—it is a story,” she explains.

Her prices begin at ₦70,000, yet the real value lies in the artistry, soul, and cultural pride she weaves into each piece.

Ayanbunmi is also the founder and leader of the Cultured Female Percussionists organization, a powerful collective of over 60 active female drummers across Nigeria and beyond. The platform provides visibility, mentorship, and performance opportunities for women who are often marginalized in the percussion space.

“At some events, people look at me—this slim girl—and wonder what I could possibly play. Some even belittle me. But by the time I start drumming, I leave them speechless.”

Whether navigating male-dominated spaces, enduring stereotyping, or facing safety concerns while traveling alone for performances, Ayanbunmi has stood tall—and loud.

Beyond performance, Ayanbunmi is a skilled instructor and mentor. Her drum lessons—rooted in both technical mastery and cultural context—are sought after by young talents, especially women, looking to find their rhythm in life and music.

Her teaching style is intuitive, engaging, and deeply personal, drawing from her decade of experience and spiritual grounding.

She also brings her artistry into fashion and beauty. A professional hair stylist and makeup artist, she embodies the philosophy that a woman can be strong, artistic, business-minded, and beautiful—all at once.

Now preparing for her 10th Anniversary, Ayanbunmi isn’t just throwing a party—she’s giving back. A charity feeding initiative will anchor the celebration, along with a reunion at her workshop where colleagues will gather for music, reflection, and thanksgiving.

“It’s going to be a joyful and memorable gathering. A time to share love, say thanks, and celebrate the journey.”

For Ayanbunmi, gratitude fuels the next step. She is thankful to God, her supporters, and the journey that has molded her into a leader, innovator, and inspiration.

In the next 10 years, Ayanbunmi envisions her brand expanding globally—branches across Africa and beyond, exporting not just drums, but culture, education, and empowerment.

She wants to train a new generation of female percussionists, grow her online presence, and partner with international cultural institutions.

“I want my brand to be known for quality, creativity, and cultural relevance. But most importantly, I want to still be doing what I love—making music and breaking barriers.”